Not From My Cold, Dead Hands!
I shot a gun. It was spontaneous, but it was controlled and safe. With walls between me and them, the paper target about ten feet away. The outline of man's body, the center of his chest red and spotted with numbers indicating his mortality and rewarding you for your aim. Pop. In the neck. Pop. In the heart. Pop. In the heart. Pop. In the heart. Pop. In the heart. Pop. In the heart. Clear the shells, reload, do it again. Pop. Pop. Pop. The cold gun rested uncomfortably in my hands, much like the discomfort of people who don't know how to shoot a 35mm camera with a lens. It's awkward. It feels wrong. It feels slightly illegal. But exhilarating. And scary. And edgy. Yet slightly illegal. I laughed and laughed and laughed when I hit the targeted man in the chest five times. One round gone, another one to load, but I laughed and laughed and laughed. I couldn't stop. The gunmen called me a natural and told me to change my stance. The man with the hat looked longingly at me, like I had just made his dreams come true. All with a hairpin pull of the trigger. Pop. Pop. Pop. Pop. Pop. Pop. My ears rang with each kickback and my hands shook while I reloaded. But once it was in my hands, the crotch of my left hand placed oh so softly on the side of gun, the cold metal combined with the sweat of my nerves, and the whole world at my fingertips, I felt smart and able and unwilling to use this in any other circumstance. Why do these exist? Why are the targets outlines of men? Violence breeds violence, no? It still doens't change the fact that I'm the best female shot west of Manchester.

